Interchangeable-lens Cameras

Interchangeable-lens Cameras

Interchangeable-lens Cameras

Cinematic expression

In service of cinematic expression

Example image Example image

Full-frame image capture even in dim light

The FX3's full-frame image sensor is coupled with innovative light-gathering techniques to let you capture clear and usable images even in dim light. The standard ISO sensitivity of 80–102400 for movies is expandable all the way up to 409600. 
Example image Example image

Wide dynamic range, wider creative expression

The FX3 offers an exceptional 15+ stops of dynamic range to handle settings ranging from well lit interiors and outdoors in midday to morning and evening shots. Capture every nuance, and allow for unprecedented cinematic freedom in colour grading.
Example image Example image

Stunning bokeh and full-frame creativity

Capture the scene in cinematic 4K resolution, with the shallow depth of field, stunning bokeh and cinematic freedom made possible with a full-frame sensor.

Cinematic colour science of S-Cinetone™

S-Cinetone colour, developed for Sony's acclaimed FX9, is the default look on the FX3 for cinematic expression. It's precisely tuned to meet the requirements of today's content creators, with rich colour and natural skin tones that match other Cinema Line cameras without grading. 

4K 120fps0 with every frame in focus

Even at high frame rates, detailed 4K imagery is captured thanks to the FX3's high-precision AF and high-speed readout capabilities. Slow and Quick (S&Q) mode gives you full control over the shooting frame rate, for beautiful motion sequences at up to 5x slow motion (with 24p output). 

10-bit S-Log3 and HDR recording for smooth gradations

S-Log3 gamma curve and S-Gamut3.Cine enable shooting with high-quality colour reproduction over a wide dynamic range, and they make it easy to match up footage with shots from other Cinema Line cameras during post-production. In addition, an HLG (Hybrid Log-Gamma) HDR picture profile enables direct HDR (HLG) playback on compatible TVs with no post-production. 
Example image

16-bit RAW HDMI output

For demanding post-production workflows, 16-bit RAW output0 is available over HDMI connection to compatible external recorders while XAVC HS 4K, XAVC S 4K, or XAVC S-I 4K and proxy, files are simultaneously captured in-camera. RAW video output is 4264 x 2408 [16:9] resolution, exceeding DCI-4K resolution1.
Example image

Enjoy rich detail and realistic colour

The FX3 is capable of 4K internal recording, 10-bit depth and 4:2:2 colour sampling with All Intra on top of Long-GOP compression. This makes it possible to push your colour grades further while still retaining natural gradation, for true editing freedom.   

[1] All-Intra (All-I)   [2] Long-GOP   [3] Group of Pictures 
Illustration

Compensation for focus breathing

With the breathing compensation function turned on, the camera allows you to shoot movies with more stable images when you used with compatible lenses0. This setting is available in software version 3.00 or later.

The breathing metadata can also be recorded so that you can apply compensation with the latest Catalyst Browse/Prepare Plugin software during post-production.